Son of the Mask is the standalone sequel to the 1994 smash hit The Mask, originally starring Jim Carrey. Directed by Lawrence Guterman, this 2005 follow-up attempts to expand the Mask universe — this time without Carrey or the original tone that made the first film a cult classic.
The story follows Tim Avery (played by Jamie Kennedy), a struggling cartoonist who unknowingly brings Loki’s ancient mask into his home. When his dog wears it, chaos ensues — and things get even weirder when Tim’s son is born with supernatural powers inherited from the mask.
With Alan Cumming as the Norse god Loki and Bob Hoskins as Odin, Son of the Mask leans heavily into surreal slapstick and cartoonish effects. Unfortunately, despite its high-energy visuals, it lacks the charm, cleverness, and emotional depth of its predecessor.
While we understand the ambition to revive the Mask franchise, this sequel just doesn’t deliver. Jim Carrey’s absence is painfully obvious, and the film struggles to find its footing without his signature comedic brilliance. Jamie Kennedy tries, but the script gives him little to work with, and the result is a chaotic, confusing, and often cringeworthy mess.
The storyline is weak, the humour is forced, and the over-reliance on CGI quickly becomes overwhelming. What made The Mask work was its clever balance of comic book absurdity with grounded character development — Son of the Mask throws that all out the window in favour of noisy visuals and awkward gags.
Despite a few fun moments from Alan Cumming as Loki, even he can’t save this one. The tone feels off, the pacing is uneven, and the film’s attempt to appeal to both kids and adults fails on both fronts.
It’s not just a bad sequel — it’s a disappointing use of a great concept.
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